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Kulture2025-10-29 10:39:00

"Neither man nor woman"/ Idlir Azizi and the anatomy of the Kanun in the time of the unnamed gender

Shkruar nga Kastriot Kotoni

 "Neither man nor woman"/ Idlir Azizi and the anatomy of the Kanun in

The novel "Don Kanuni" returns after 13 years as a warning for Albanian society that still moves between patriarchy and gender fluidity

Idlir Aziz's novel, "Don Kanuni or, slowly as blood begins to fall asleep," remains one of the most provocative works of contemporary Albanian literature. With satire, grotesque, and irony, the author confronts an Albania that has not yet emerged from the shadow of Kanuni, but now finds itself in a crisis of gender and moral identities.

Idlir Azizi, one of the Albanian authors with international influence, remains one of the most distinctive voices in contemporary prose. His novel “Don Kanuni or, slowly as sleep begins”, published in 2012, is more relevant today than ever. At the heart of the work lies the clash between the Kanuni and the modern phenomena of gender identity, a debate that today encompasses Albanian politics, law and culture.

In this novel, Azizi sets up a grotesque scene where the victim of a blood feud is a person “neither man nor woman.” This clash between archaic tradition and Judith Butler’s modern philosophy of gender serves the author as a metaphor for Albania’s clash with itself. The elders of the Kanun, uncertain about how to categorize the victim, call on a foreign philosopher for help. This absurd situation conveys the drama of a country seeking to adapt the Kanun to the 21st century.

In the novel, Albania is the grotesque airport of a society that rises and falls in a dive, between national mythomania, institutional corruption and a crisis of moral identity. The author combines sarcasm with philosophy, turning the reader into a fellow traveler on a supersonic flight through the Albanian absurd.

Through allegories and subtle irony, Azizi deconstructs false nationalism, the “black pages” who trace their origins to the Egyptian Osiris, and politicians who build ideologies on folkloric patriarchy. In this sense, the novel is a mirror of Albanian society that changes rapidly but thinks slowly.

Aziz's satire strikes mercilessly: the elders of the Kanun, the foreign philosopher, the policeman who scratches his organs during the decision, and even the absurd associations that want to "recreate" the Albanian male. This is a literature that does not forgive, but does not preach either. It offers reflection: what is the Albanian man between tradition and transition?

Aesthetically, the novel is an example of dualistic thought that unites the idealist spirit with modern criticism. In just 125 pages, Azizi constructs a layered work that combines philosophical thought with political satire and the anthropology of the absurd.

This makes the novel not simply a literary story, but a document of Albanian thought in a period of endless transition. The author raises the question that remains essential:

"If gender is a matter of identity, can nation be a matter of morality?"

Idlir Aziz's literature is literature that the reader feels, not just understands. Because, as it seems, "Don Kanuni" does not speak of a past, but of an Albania that has not yet decided to which gender it belongs./ Pamphlet

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